Art & PhotographyLightboxArt & Photography / LightboxThis new short film embodies the spirit of MasqueradesIn a new short film commissioned by 180 Studios in partnership with Ray-Ban Meta, Sierra Leonean artist, poet and filmmaker Julianknxx takes viewers inside the mask of Masquerades to remind viewers of their own place in timeShareLink copied ✔️October 29, 2025October 29, 2025TextDazed DigitalJulianknxx, 2025 Often, we get to look at Masquerades, but we don’t see what they see,” says Sierra Leonean artist, poet and filmmaker Julianknxx, who has taken viewers inside the folklore of the Moko Jumbie in …?M, a new short film commissioned by 180 Studios in partnership with Ray-Ban Meta. “I was drawn to the Moko Jumbie, the stilt-walking spirit found in Caribbean, particularly Trinidadian, carnival culture. According to some folklore, these spirits travelled from West Africa, walking across the Atlantic into the Caribbean, following the path of the transatlantic slave trade.” Given the history of the Moko Jumbie, south London’s Market Row in Brixton Village was a natural setting for the 60-second film, an area which became the first home for many African and Caribbean migrants to the UK in the 20th century. Switching between third and first-person shots captured on Ray-Ban Meta AI glasses of the towering Moko Jumbie spirit navigating the sheltered market area, the video also features cuts of archival footage from the area. “I wanted to create a longer view of Brixton, so layering found footage helped stretch its presence through time,” Julianknxx explains of his commitment to spotlighting Afro-Caribbean existence in the neighbourhood. “I think just showing today flattens that sense of time for me. By bringing in the archive, I wanted to hold the past and present together and show how Brixton continues to carry traces of what came before.” Courtesy of Julianknxx In keeping with this longer view of history, the film opens with a quote from legendary Nigerian poet and Things Fall Apart author Chinua Achebe, who states that The Masquerade reminds viewers of their own place in time. “The colonial project ruptured cultural continuity,” says Julianknxx. “Achebe speaks of using the past as a resource for the present and the future, and the masquerade returns as a symbol of continuity-in-change. He also speaks of the idea that The Masquerade is motion – all kinds of motion – and that reflects the world that is in a continuous state of flux, and we, as inhabitants, must learn to adapt, to change, and to move with it.” Catch Julianknxx’s full short film, ...?M, at Paradigm Shift, a new exhibition hosted at 180 Studios in partnership with Ray-Ban Meta Glasses. Expand your creative community and connect with 15,000 creatives from around the world.READ MOREThese photos explore the ‘human, tender, gritty truths’ behind kinkThis zine shines a light on the shadows of Brighton’s teenagersSalomon SportstyleLord Apex brings together community for 20 years of Salomon’s ACS PROIn pictures: The playful worlds of Tokyo’s young subculturesDavide Sorrenti’s journals document the origins of 90s heroin chicMartin Parr on capturing the strangeness of Britain and its peopleIn pictures: The changing face of China’s underground club sceneFrom the grotesque to the sublime, what to see at Art Basel Miami BeachThese photos show a ‘profoundly hopeful’ side to rainforest lifeThe most loved photo stories from November 2025Catherine Opie on the story of her legendary Dyke DeckArt shows to leave the house for in December 2025